Get a BookLife, Now!

When did you first set out on your dream to be a published author?

Just about three years ago, following the birth of my first daughter, I decided I better get my act together and starting living the dream I held in my heart. For me, there would be no integrity in raising a daughter to follow her dreams if I failed to show that I believed in the concept! Since that time, another daughter arrived along with a dog and a job outside the home. And, YES! I am a published writer of nonfiction (even penned a few short stories).

What got me that far is a set of guidelines I call  The Writer’s Five Ps (Passion, Perspective, Priorities, Process, Present-mindedness).  The Five P’s keep you focused, help you navigate through the storms that rise in life and make it possible to manage all the things that are important and special in your life without feeling burned out.

The Five Ps have kept my writing center-stage on a day-to-day basis. (For many aspiring writers, that’s half the battle). Still, I’m not quite where I want to be with my writing dream: to publish fiction.

In the pages of VanderMeer’s BookLife,  I heard my own voice call  to me:  “I want a book life, now!”

Not surprisingly, my  inner critique (The Burglar) answered, “How’s those FivePs workin’ out for ya, now?”

Contrary to Burglar’s modus operandi, I didn’t need to abandon the Five Ps. I just needed to rethink how I put them to work. BookLife helped me put the Five Ps to work strategically. Rather than just using the Five Ps to navigate my way through family life and get my butt in the chair everyday, I integrated VanderMeer’s approach with the Five Ps to put me on the path to my book life. In the three weeks since I began, I’ve done the following:

  1. wrote a stronger mission (artist’s statement)
  2. set more concrete long and short-term goals (achieved the following specific goals)
  • my website is being redesigned
  • a short story is under review for publication
  • gained clarity on plot for a stand alone novel and developed concept for 3-book series
  • secured a new column in a west coast magazine

I am a happier writer, still ranking high on the parenting chart (ask the kids) and I am more effective at change management.

I’m confident that my book will be in print or on an e-reader before the end of 2012  (I figure, if the world does end, or the great white light shines upon us, why not go out with a bang!).

You can do the same. Don’t let your inner Burglar rob you of your dream or cause you to abandon methods that have been working for you. Do use the voice of that inner critic to assess how your methods are working for you and what else you may need to get where you really want to be– to get a book life!

(Thanks, Jeff, for inviting me to share my experience as a Writing Parent on her way to getting a BookLife!) KMR

Karen M. RiderKaren M. Rider is a freelance writer specializing in holistic health and metaphysical subjects. Her interviews with visionary thinkers such as Caroline Myss and Wayne Dyer have been published in regional and national publications. Karen also contributes to The Writer magazine. She is an accomplished advertorial copywriter serving holistic /healing arts practitioners and “soul entrepreneurs.” She resides in Connecticut with her two spirited daughters and  (one very patient) husband. Karen is working on her first novel- a story of metaphysical suspense set at Gillette Castle in Connecticut.

The Writing Parent is Using Booklife

Check out this great blog post about the Working Parent’s use of Booklife. An excerpt…

BookLife makes you think strategically and tactically about your creative works. While The Writing Parent’s Five Ps (Passion, Perspective, Priorities, Process, Present-mindedness), help you keep writing center-stage on a day-to-day basis, BookLife provides a larger context for your writing dreams. The Five P’s keep you focused, help you navigate through the storms that rise in life and make it possible to keep all the things that are important in you life in your life, without feeling burned out. The strategies and tips in BookLife bring you deeper in your perspective, priorities and process because it forces you to look at your creative work in a much larger context.

Writing the Other–Continuing This Week

Later this week, Nisi Shawl and Cynthia Ward return with more guest blogging, in part based on their book Writing the Other.

In the meantime, check out this essay by Shawl on “Appropriate Cultural Appropriation.

For some of us, the attractions of another’s culture can hardly be overrated. Within the context of speculative fiction’s reputation as “escapist” literature, getting away from one’s own traditions and background may seem like a good idea. Surely to find that much-prized “sensawunda” sought by genre afficionados, we must leave behind what British fantasist Lord Dunsany called “the fields we know?”

But what if the realms beyond these fields are populated? One person’s terra incognita is another’s home. What are we to make of the denizens of these exotic lands? And what will they make of us, tramping through their yam patches in search of the ineffable, and frightening their flocks with our exclamations over their chimeric beauty?

To collapse the metaphor, readers looking for something “different” in fantastic fiction, and authors who attempt to supply them with it, often turn to mythologies, religions, and philosophies outside the dominant Western paradigm. Then, not too surprisingly, people who practice these religions or espouse these philosophies or descend from those who constructed these mythologies object. Their culture, they complain, is being misrepresented, defaced, devalued, messed with. Stolen. Often, said culture is the only resource remaining after colonialization has removed all precious metals from the ground, or the ground from under its former inhabitants feet, or, as in the case of the African slave trade, when it has assumed ownership of those feet themselves.

Cynthia Ward on “Up in the Air” and Diversity

Cynthia Ward and Nisi Shawl are guestblogging on Booklifenow this week. Here’s Cynthia’s first solo post.

[SPOILER WARNING: If you haven’t seen the movie Up in the Air, you may want to skip this post.]

I don’t own a television and rarely get to the movies, so I tend to mentally drift into a happy fantasy world, one in which I imagine Hollywood has finally started to reflect the everyday human diversity you find merely by driving off a movie lot onto the L.A. streets.

My fantasy world is not, however, one in which all Hollywood releases have become great works of art. So I’m always pleasantly surprised to encounter an exceptional movie like Up in the Air. You get strong writing, sharp dialogue, superior acting, and even the occasional unpredictable plot twist. You also get timeliness, since its topic is corporate downsizing.

What you don’t get so much is diversity.

I should probably provide some context, because, after all, if the movie were set in Maine, and featured a man driving all over Bangor firing people, no one remotely familiar with the state would be surprised if the guy’s boss and coworkers were all white.

However, given that protagonist Ryan Bingham lives in the Midwest and jets all over the United States firing people, this is a remarkably white movie. His coworkers, his boss, his lover, his siblings, and their friends and families—white. Racial diversity is pretty much confined to the characters being fired, which gives the unfortunate message—oubtless unintentional, but still present—that minorities exist to be fired.

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